Archive for Celebrity

Kicking back with Twitter’s Biz Stone [New York Times]

New York Times, May 27 2010

Biz Stone. Photo: Phil McCarten/Reuters.

Biz Stone. Photo: Phil McCarten/Reuters.

Biz Stone co-founded the micro-blogging service Twitter with Evan Williams in 2007. They met seven years ago when they both worked at Google. Stone earned an arts scholarship to the University of Massachusetts but dropped out to work as a designer at the book publisher Little, Brown in Boston.

In 1999, he helped start the blogging community Web site Xanga. Originally from Boston, Stone lives with his wife, Livia, in Marin County. Here, edited and condensed, are excerpts of his description of a leisure day. (Yes, he does post to Twitter during his time off.)


Frisky Fidos
| My wife, Livy, and I wake up at 7 every morning, including Sunday. We’ve got two rescue dogs that get a little feisty if we don’t feed them: there’s Pedro, the one-eyed Chihuahua, and Maggie. Once the animals are sated, I usually do a quick check of e-mail and online news with a glass of water.


Culinary Mash-up
| A typical Sunday morning starts with something I don’t usually bother with — breakfast. Livy puts together something for us to eat. Lately, it’s been southern style biscuits from scratch. We’re both vegan. Her dad is from Nashville and her mom is from Istanbul, so there’s an interesting range of influence in her cooking. Then we take the dogs out. Living in Marin means we can take them to so many beautiful spots, but, ironically, one of their favorite places is an office park near our house.

Memo From the Boss | There is work on my Sunday agenda. For almost two years now, I’ve been sending out a weekly e-mail address to employees, board members, investors and advisers. The e-mail covers accomplishments, mistakes, news, some funny personal anecdotes, recognition for a few team members. It takes a few hours to research and write. I’ll often go to a local Starbucks because it removes the distractions of home. I plan my whole Sunday around writing the e-mail. We’re going to be thrown for a loop when the opera season starts, as our tickets are all for Sunday matinees. I do Twitter on Sundays, but I always keep it under 140 characters.

Running the Sun Down | On Saturday, I do an eight-mile run, and on Sunday I do a 10-mile run. Richardson Bay from Mill Valley to Tiburon and back is a favorite route. I’m partial to timing my runs just as the sun starts to set.


Far From the Madding Crowd
| We moved from Berkeley to Marin several months ago. I’m coming to appreciate country living, especially on the weekend because it’s more relaxing. We’re in Larkspur, which is generally quiet on Sunday. The spot is more commercial than neighborhoody, but it’s pretty fun that I can ride a boat to work on Monday mornings.

As the Day Turns | “How To Make It In America” comes on HBO on Sunday night, so I like to watch that if I can. I generally turn in around midnight no matter what day it is.

A Writer With a View to Share: Daniel Handler [New York Times]

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Photo: Laura Morton for the New York Times

Several times a week, Daniel Handler and his 5-year-old son, Otto, walk from their home in Ashbury Heights to the Randall Museum, which sits on Corona Heights with spectacular views of San Francisco. Mr. Handler, the author of the best-selling series of children’s books, “A Series of Unfortunate Events” (under the pen name Lemony Snicket), has also written three novels. His current projects include a fourth novel, a children’s picture book titled “13 Words,” and the script for the second Lemony Snicket movie.

OFF LEASH This is my son’s favorite place to run amok. We go to the museum and to “lawsuit park” nearby — a playground which hasn’t been given the nervous-parent treatment yet. There are two dog parks. My son loves dogs but we don’t have one, so he gets to “rent” one here and frolic with it. It feels like he’s a dog, as he runs off energy while I drink mint tea and make chitchat.

ANIMAL BEHAVIOR It’s not unusual for us to stroll down very early and stand around with other hung-over owners of small creatures.

ALL SENTIMENTAL I grew up coming to this museum — they used to have a huge taxidermy bear in the lobby, it was up on its hind legs. I would do rock-polishing classes here after school. One of the joys of revisiting old haunts is that it makes you feel younger and older at the same time. I remember being here as a kid, and now I come here with my son, but I wish I could make that sound less “Hallmarky.”

BLOWING OUT THE COBWEBS I sit at a bench and table with my back to the view, like Gertrude Stein. Otto runs around while I feign interest. I have a fantasy that I’ll bring a pen and write like Lord Byron, but it can get quite windy. So I come here when I feel like a blithering idiot and need to empty out my head.

TEEN SPIRIT I used to climb up to the rocky outcrops on the top of the hill with my high-school girlfriend. I remember wonderful midnight conversations, but also anxieties. It was an excellent libido controller as it was always freezing up there.

Sunday Routine: Isabel Allende [New York Times]

New York Times, April 9 2010

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Isabel Allende and William Gordon. Photo by Heidi Schumann/New York Times.

Isabel Allende always begins writing a new book on Jan. 8, a tradition that began in 1981 with a letter she wrote to her dying grandfather that would become the groundwork for her first novel, “The House of Spirits.” Since then, Ms. Allende has written 17 books, among them “Paula,” a memoir in the form of a letter to her daughter who died in 1992. Born in Chile in 1942, Ms. Allende fled to Venezuela when her family began receiving death threats after the military coup that brought Augusto Pinochet to power in 1973. She is first cousin once removed to President Salvador Allende, who died in the coup. She lives in Marin County with her second husband, William Gordon. (Her words have been edited and condensed.)

CANINE PRIORITIES The first hint of light through the curtains wakes up Olive, our dog, and then our day starts. She jumps on the bed and demands her breakfast. We rescued her, and now we serve her.

MORNING RITUALS Willie, my husband, brings me a big — really big — cup of coffee with milk in bed. I drink my coffee slowly, enjoying the moment. Then we take Olive for a walk, usually to Samuel P. Taylor State Park. I have a favorite trail where I always reflect or pray a little. It’s where we scattered my daughter’s ashes. We stop at Two Bird Cafe in West Marin or Comforts in San Anselmo for breakfast. Coffee and toast is good enough, sometimes oatmeal.

DAILY MISSIVE We do some chores, like Costco, or the Farmers’ Market. At home, Willie reads the paper while I write to my mother, who is 90 and lives in Chile. I write to her every day, and she responds with beautiful, handwritten letters.

NURTURING THE TRIBE In summer we may have a full house on Sunday. When I moved here, I missed my extended Chilean family, so slowly I put together my “tribe.” We are between 10 and 17 people. If the tribe is coming for dinner, I cook the main course and sometimes dessert. Willie cooks the rest of the week; Sunday is his day off. In winter I may cook a Chilean vegetable stew (charquicán) and filet mignon, or a coq au vin, or beef stew. For dessert, a Chilean flan de leche, my son’s favorite.

FAMILY TIME My Sundays are ideal, especially when the family is around. I love to have all the kids in the pool (five grandchildren plus their friends), the women in the kitchen cooking and gossiping, the men watching a game. It’s like an Italian movie.

A SCRIBE’S CALL I try not to work on Sundays, but if I am in my writing time (Jan. 8 to around May), I may sneak to my casita to work if we have no guests. The casita was meant to be the pool house, but it ended up being my studio. I’m working on another novel, and I’m very busy now.

EARLY RETIREMENT If we are alone, we may watch a movie in bed. If we have company, Willie and Olive go to bed early, often before the guests leave. I go to bed later.

Sunday Routine: Markos Moulitsas [New York Times]

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Photo: Peter DaSilva/New York Times

New York Times, March 26 2010

After a long ride, the fantasy of a perfect day

Markos Moulitsas is founder and publisher of Daily Kos, the largest liberal blog in the United States, with one million to three million unique visitors a month. Mr. Moulitsas, 38, started his blog in 2002 after a stint at law school persuaded him that it would be “a cold day in hell” before he ever worked as a lawyer. Born to a Salvadoran mother and a Greek father, he is the co-author of “Crashing the Gate: Netroots, Grassroots and the Rise of People-Powered Politics.” He lives in Berkeley with his wife and two children. (His words have been edited and condensed.)

RUDE AWAKENING I have a 6-year-old and a 3-year-old. Sleeping in isn’t an option. My wife is an early riser and takes care of their needs, but I’m rarely in bed past 7:30 a.m.

LOGGING ON I grab my computer and quickly check in on my site and e-mail, make sure there aren’t any problems. Another quick scan ensures no big news happened overnight. I then check on the kids, who are usually fighting over the remote control or whining about having to go to church with my wife.

TWO-WHEEL WORK I eat a carb-heavy breakfast, fueling up for my long Sunday cycling training ride. Right now, that means a 50-to-60-mile ride, about three to four hours. I ride in the Berkeley and Oakland hills, Moraga, Orinda. Once a month, starting in May, I’ll be doing one century per month — organized rides of 100 miles or more. My big goal for the year is Death Ride: 129 miles with 15,000 feet of climbing over several mountain passes in the California Sierra.

REFLECTIVE TIMES You’ve got to think about something while on the bike for so many hours, so I try to work out family and work issues and strategize. I like to flex my entrepreneurial muscles, dreaming up new features for my site or even new business ideas. I’m also a classically trained pianist and composer, so I might dream up a catchy tune.

BIRTHDAYS AND BEARS Sundays are a big birthday day, so with two small kids, chances are there’s a birthday party. If not, the kids must be entertained, so it’s off to the Oakland Zoo, or hiking or going to a park. If it’s football season, I’ve got to watch my Bears. So I might have some people over so that the kids play together while I watch the game.

FANTASY LAND On an ideal Sunday, rather than a real one, I’d go out for my big, long bike ride. I’d get home. The kids would magically be napping, so I could take my own recovery nap. A few hours later, we’d wake up, go out for an early dinner. No one would fight, no one would spill food or drink all over themselves. We’d go to the park, have a great time, and when I told them it was time to go to bed, neither of them would complain. Add a Bears victory into the mix, and we’ve gone from ‘ideal’ to ‘perfect.’

Michael Pollan’s garden of eatin’ [SF Chronicle]

San Francisco Chronicle, November 8 2009

Photos: Mike Kepka/The Chronicle

Photos: Mike Kepka/The Chronicle

Unlike the architect whose house has a perpetually leaking roof, or the cobbler whose shoes need mending, Michael Pollan has a new garden that speaks of a professional who practices what he preaches. For the author and journalism professor - who has almost single-handedly set the national agenda on food production and, in books such as “The Omnivore’s Dilemma” and “In Defense of Food,” advocated vigorously for fresh, locally produced food - has a front yard that is at once pleasing to the eye, environmentally responsible and very productive.

When Pollan and his wife, artist Judith Belzer, moved to a new home in Berkeley three years ago, they inherited a garden with good intentions but flawed execution. Sited in front of the house, and measuring barely 600 square feet, its design had attempted to accommodate five separate gates leading variously to the street, the driveway, a bike shelter and a side entrance.

Although a kidney-shaped plant bed had been established, the principal element was a curved pathway that swept visitors in and then directly out of the yard, largely ignoring both the generous front porch entrance to the home and the French doors leading into what is now a beautifully renovated kitchen.

“Circulation was definitely an issue,” says Pollan, who adds that the area is also heavily trafficked. “It was important that we had a kitchen garden, but we also wanted it to be beautiful - it’s where guests come in, and we walk through it all the time to take out the trash or compost.”

While the family hoped the modest, fenced-in yard could serve as a place for social gatherings, there were to be no airs and graces. Belzer in particular stressed that the area should not be too stylized - rather she favored a lush but relaxed setting where the couple, their teenage son and their friends would want to spend a lot of time.

Conceding that it was a tall order, the couple asked Bernardo Lopez, a Berkeley landscape designer who has earned a reputation for good-looking gardens that do more than nod to environmental concerns, to rethink the space.

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Lopez began by imposing some structure on the hexagonal-shaped space to delineate areas by function and to improve the garden’s flow. A black basalt stone patio, edged in a crescent of Cor-Ten steel, was laid adjacent to the kitchen to create an outdoor eating area. An existing cement wall was used to anchor a deep recycled redwood bench that provides additional opportunities for sitting or lounging.

Steps from the patio lead down into a courtyard, at the heart of which are three beautiful raised beds crafted in Ipe wood and currently bursting with late-season produce. Sand-colored pathways created with crushed decomposed granite, and edged in steel, lead visitors seamlessly around the beds to the home’s different entrances.

A bench for bags

For those arriving from the driveway, perhaps with groceries, a second redwood bench has been judiciously sited in a spot that provides a convenient place to put down heavy bags. It also creates a naturally demarcated route to the kitchen.

On a late-autumn day, the beds are filled with bountiful peppers, tomatoes, zucchini, chard, kale, mustard greens, broccoli, spinach, romaine lettuce and arugula. Lopez says that over the summer, sunflowers and sweet corn plants soared to dizzying heights, as if in competition to reach the sky.

Herbs sown in planters supplement those growing in the beds and include basil, parsley and cilantro. Pots of mint, lemon verbena and lemon balm have been placed close to the house for easy access when preparing teas and infusions.

The raised beds have been designed to double as seating, and they surround a central circular space whose centerpiece is a large antique Indian cooking vessel, which Lopez and Pollan bought on a shopping spree in Sonoma. Pollan says they regularly grill food outside now. In fact, he is planning to cook a suckling pig there when a friend and fellow writer comes to town in a couple of weeks. He is also exploring having a rotisserie element tailor-made to augment his chef’s arsenal.

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Lopez has planted every remaining square foot of the yard with a generous assortment of beautiful, drought-resistant plants. “It was a given we wanted to preserve water, and we chose Bernardo partly because he understands xeriscaping so well,” Pollan says.

There are succulents, many of them South African in origin, and several varieties of grasses. Lopez uses repetition in the plants and materials he chooses. He says, it helps to create a dialogue in a garden and convey a sense of cohesiveness.

Stylish in winter, too

He also has an eye for plants that look good year round. “Flowers can come and go in a few weeks,” he says. “But there are many plants whose shapes, leaves and coloring are stunning in their own right.”

A few of the garden’s highlights include a chartreuse gooseberry hybrid, Senecio mandraliscae with its distinctive curved finger-like leaves, a Melianthus major with its spiked reddish-brown blooms and lime-hued foliage, several types of Leucadendrons, some saw-tooth-edged Banksias, Eryngium giganteum, or sea holly, from the thistle family and a fleshy Kalanchoe whose home is a striking Cor-Ten steel planter.

Lopez showed the same appreciation for the architecture of plants in the way he pruned back the foliage on the lower trunks of two existing climbing plants: a South African honeysuckle that wraps itself languorously over one of the garden’s Craftsman-style trellises; and a lovely wisteria that adorns the home’s facade. He took out a rampant climbing passion flower on the principle that, sometimes, “less is more.”

The yard already boasted persimmon and fig trees, and Lopez added an apricot tree that is espaliered in front of a window to provide shade and privacy.

The overall palette is subtle: a blend of silvers and salmons, sages and gray-greens with the occasional shot of muted color such as the icy pink artichoke-like flowers on an exotic-looking protea.

“Design is not a nonstop train. We added some elements as we worked and got to know the garden,” says Lopez, who introduced some space that wasn’t on the original blueprint to ensure the courtyard didn’t feel crowded.

The result has exceeded all of Pollan and Belzer’s expectations. “We love spending time there,” Pollan says. “And when we have parties, guests always want to linger in the garden - we can’t persuade them to come inside. We couldn’t be happier.”


Rob Forbes: Seeking privacy in a public space [New York Times]

New York Times, November 1, 2009

rob-forbes

Photo of Rob Forbes by Heidi Schumann for The New York Times

For Rob Forbes, a San Francisco designer who was the founder of the furniture company Design Within Reach, South Park in San Francisco encapsulates his evolving feelings about the ways humans use the space around them, with both purpose and serendipity. He chose to locate his new venture, Studio Forbes, on the leafy, oval-shaped park because, he said, he had never made a traditional separation between work and play and one of his greatest pleasures was people-watching. (His words have been edited and condensed.)

INSPIRATION I call the park, which is a magnet for creative businesses, a civil demonstration of democracy because of its mix of architects, homeless people, art patrons, bikers and tattooed kids.

HUMAN SCALE When I heard they were calling the documentary on national parks “America’s Best Idea,” I thought, Give me a break. But, actually, it’s true: public spaces that people actually use are the acid test of democracy. This park puts me in my place.

DOING LUNCH I have meetings at the park tables. The studio has open-plan offices so, ironically, we come to a public park for privacy. I just designed a bike bell there with the designers Pablo Pardo and Oliver DiCicco. I can’t say I’m on the youthful side — I don’t use the swings. But I like how authentic the park’s restaurants are.

STYLE COUNSEL The park’s design is quirky, full of funny shapes that would drive a modernist mad, like the masonry pathways that evolved organically. I’m not nostalgic about the past, but I love that this place has the best parts of tradition.

EAVESDROPPING There was an intensity about the park during the dot-com boom. It’s still a place where people are making stuff happen. But no one is boasting about it. This, right here, is the ballet of the sidewalks that Jane Jacobs talked about.

ADDED BONUS You can get high if you sit downwind in the park.

Craigslist’s Craig won’t do yoga [SF Chronicle]

Photo by Russell Yip.

Photo by Russell Yip.

San Francisco Chronicle, September 23 2009

It seems wrong, somehow, to be bickering in such a beautiful, serene space. But Craig Newmark and his girlfriend, Eileen Whelpley, appear to fundamentally disagree on how the newly remodeled basement room in Newmark’s Parnassus Heights home is to be used.

The space, a soothing blend of pale poplar wood and Japanese-style shoji screens, is a work of fine craftsmanship, and Whelpley insists the Craigslist founder will be practicing yoga there. Newmark is less sure. “I have no illusions about yoga. I’m interested in the birds that visit me,” he said, referring to the bird feeders he has set up on the deck outside his home office upstairs. Newmark likes to snap photos of the birds when he’s not responding to customer service queries from Craigslist users.

“Craig is going to do yoga although he doesn’t know it,” said Whelpley with a fixed smile. “He will if we’re going to continue with this relationship.”

But back to the room. Newmark says the original idea was simply to create more usable space in his relatively compact home. “The room had dirty walls, a cement floor, an exposed fiberglass ceiling, exposed ducts, cords, one fluorescent light and lots of dust,” Whelpley said. “We thought we’d be lucky to turn this dead space into a clean storage area.”

Standing in what clearly evolved into something much more sophisticated than a storeroom, both Newmark and Whelpley say their ideas for the area were not ambitious. There was talk of perhaps making it into a sewing room for when Whelpley visits.

“The instructions were ill-defined,” said Russ Latta of Latta Construction in San Francisco, who oversaw the project. But his business partner, design-builder Satoshi Kuriyama, recognized potential in the dingy 300-square-foot space. “I saw it straight away,” he said. His original drawing shows a streamlined room highlighted with Craftsman-style touches such as the slim wooden beams that crisscross the walls and ceiling, the built-ins and alcoves.

All the mechanical elements, including the water heater and furnace, have been concealed behind doors or handmade panels. A part of the home’s foundation that jutted into the room has been transformed into a long built-in wooden bench and the screens hide shelving for storage.

Good design

But the room is far from utilitarian. A set of open shelves under the high window has been designed in a gentle cascade formation, and an open alcove in the center of the room helps retain a sense of airiness and includes two display shelves. A full-length mirror on casters with a Japanese-influence frame was designed by Kuriyama specifically for the space.

One of the most surprising aspects of the room is how light it is, given that it is largely underground and has just one tiny window. The whole area is bathed in a diffused glow provided by light fixtures hidden behind the fiberglass shoji screens and by two custom-made boxed ceiling lights. A pair of back-lit alcoves provides another source of light. The walls are painted pale green.

“It’s the best room in the house. There’s a good energy that is palpable when you’re here for any length of time,” said Whelpley, who used to work as a senior executive at Gap and is now training to be a yoga teacher. “It certainly shows how with the right skills you can transform a dark room into an inviting space.”

There are plans to put in some large eye screws for yoga ropes as well as a “whale” back bender bench, and Kuriyama will make some additional pieces of furniture for the room - a long narrow table, perhaps, to be placed alongside the bench.

More changes

Conversation turns to the possibility of holding intimate dinner parties there, perhaps serving sushi and preceded by some light yoga. Whelpley says the success of this project has given her the remodeling bug and she has had Latta begin converting part of the home’s garage into another livable space. “Maybe that could be the sewing room,” she said. “This room is far too nice for that.”

Which brings us back to the room’s function and, specifically, how Newmark plans to use it. The consensus among the small group gathered in the new space is that it should not be tarnished by electronics, whether a television set or a computer. “I would hope no one would come in here with computers,” said Latta, looking at nobody in particular. “Craig spends too much time on electronics,” Whelpley said. “This space is a perfect place to relax.”

“Relax? I’ve heard that word before,” Newmark said. When asked directly whether he will be taking up yoga, he said: “I’m looking forward to learning yoga. But you can only quote me on that if you put it in the appropriate quotation marks.”

Interview: Author Elizabeth George [Financial Times]

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Financial Times, May 2, 2009

Elizabeth George is the author of many acclaimed novels of psychological suspense, including the Inspector Lynley mysteries, which have been adapted for television by the BBC. She won the Anthony award and Agatha award for Best First Novel in the US and received the Grand Prix de Littérature Policière in France. Although she is American, most of her books are set in England, a country she fell in love with as a teenager and continues to visit regularly. George lives on Whidbey Island, off the coast of Washington state, near Seattle, US.

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How did you end up building a home on Whidbey Island?
My husband, a retired firefighter, and I had settled on the Pacific north-west as the place we wanted to live. We wanted to be near to an international airport, so I could get over to England without too much difficulty. We also looked mostly at islands and small towns. I had lived in Huntington Beach [near Los Angeles] for 34 years but I was never a real southern Californian. I’m not a beach girl and I like big weather. We didn’t intend to build a home but when our real-estate agent called us and described these 10 acres on a bluff above the water, close to the town of Langley, we bought it sight unseen. This was in 2002 and it was the day before we were getting married.

Did you have a dream home in mind?
I had no idea where people even began designing houses. I had never built a home before. So I made sure to find a one-stop-shop architect, one who would put in the level of detail I needed – not least because I was designing it from 1,200 miles away in California. I favoured a traditional Cape Cod style with a shingle exterior. I made a scrapbook for Jed Miller, my architect, full of clippings from architecture and interiors magazines. And I compiled a list of all the things I wanted, such as a self-contained office and a workout room. I found a picture of a house and sent it to him with a note that said: “There isn’t anything about this house that I don’t like.” That was the jumping-off point.

Describe the house.
It is positioned so that every room has a different view, whether it’s the water, Mt Baker or the North Cascades [national park]. The sitting area of my office has a huge round window and it looks straight up the passage to Coupeville, which is 28 miles away. In the front entry there isn’t a dramatic stairway as you might expect. Instead the stairs are hidden. There’s an upper gallery for my black-and-white portrait photographs and the lower gallery has many of our landscape pastels by local artists. We have an English cottage-style walled garden and a gazebo for barbecuing. I love showing guests the potting shed because they always ask whether it’s a guest house. I tell them it’s Jed’s idea of a garden shed. It’s beautiful.

What’s your favourite room?
The home’s one defining room is the library. The bookcases are custom-made of cherrywood and they line three of the four walls. But my favourite is the upstairs sitting room, part of the master suite. On cold, rainy days I love to sit there with a fire going, to read or take a nap.

How did you choose the decor?
I have worked with interior designers before and part of the problem with them, bless their hearts, is they always want to rush off to the design centre to buy $5,000 chairs. I worked with a sales person at a good furniture store in Seattle. We spent four months choosing all the furniture and fabrics. We bought all our Asian rugs in Newport Beach, California. When it came time to choose our wall colours, we unrolled them in an underground parking garage in Seattle. We set up daylight lights and chose all the colours for each room. I was really nervous about it but it worked. My natural inclination is towards autumnal tones but with the guest house, which we finished in December, we went for a totally different look with yellow, green and the accent of violet. It’s in the woods so I wanted something brighter.

What’s Whidbey Island like?
There are only 1,100 people in Langley. I didn’t realise until we moved here that it’s the centre of the Whidbey Island Writers’ Association. It has two theatres, two orchestras and a jazz festival. There’s also an annual arts festival. There are so many artists on the south part of the island that you can’t throw a stone without hitting a watercolourist or sculptor. This is a very social community and I’ve had more parties here than I ever had in 34 years in Huntington Beach. But it’s casual. This past summer I wanted to have a gathering so that people could really enjoy the gardens before the winter set in but I couldn’t face the idea of throwing a huge party so I had a BYOE (bring your own everything) party. People brought wine or a picnic. We had croquet and ping-pong. It was wonderful.

Do you have a writing routine?
I start work at 6am. At the moment I’m making changes to the third draft of my 16th novel. I will stop at 8am so that I can spend one hour studying Italian before my assistant arrives. If I’m working on the rough draft of a new novel, I’ll usually work until about 11am.

Do you have any future projects for the property?
We hope to get access to the beach in some way; whether it’s with a tram or stairs, I don’t know. We keep two small boats there. But it’s tough because you don’t want to compromise the bluff in any way. We are also restoring the forest on the property – replacing invasive plants like blackberries and sage ivy and putting in natives such as ferns and huckleberry.

Do you miss your home when you’re away?
Since moving, I’ve reduced my travelling because it’s so lovely here. If I travel, I miss something. And I mean literally miss something, not in a nostalgic way but in the sense that I might not be there for something important like the big storm.

MY FAVOURITE THINGS

Figurines and portraits

My collection of whimsical English pottery figurines . Some are animals but most have a function too; they might be a vase or a planter. They are all secured in case of an earthquake and are absolutely adorable.

A portrait of George Harrison, my favourite Beatle, that hangs in my office. I got it by chance in San Francisco. I like portraits that show what the person is really like. This reveals a great deal of sensitivity and there’s a haunted element about the eyes.

I collect black-and-white photographic portraits and I have one of César Chávez that I saw in a coffee house. I tracked the photographer down and asked if he had a copy he would sell me.

I have seven oil paintings by the Chinese-American artist Zhao Kailin. I came across him in a gallery in Laguna Beach, California.

Then there’s my collection of miniature paintings from England, mostly of women and probably from the early 19th century. People carried them before photographs.

The Disciples of Alice Waters [Financial Times]

Financial Times, August 18, 2007

FROM ALICE’S TO A PLACE OF THEIR OWN
Former employees of leading Californian chef Alice Waters are echoing her values in restaurants in the Bay Area, says Tracey Taylor

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Mary Jo Thorensen was 24 when she was taken on as an apprentice pastry chef at Chez Panisse, Alice Waters’ acclaimed restaurant in Berkeley, California. Now she has a restaurant of her own, Thorensen still remembers the inspiring work ethic at Chez Panisse and Waters’ constant efforts to “get that wonderful little thing”. “There was one old gentleman who supplied Alice with raspberries,” she says. “It was the only thing he had. They came in these little baskets with just the right-sized piece of wax paper in them. And they were perfect.”

Steve Sullivan began working as a busboy at Chez Panisse in 1975. He remembers the experience of being asked to take a dish back to the kitchen. “Alice would say: ‘Bring it over here - what’s wrong with it?’ She wouldn’t say: ‘Those customers are philistines’.” While at the restaurant, Sullivan developed a passion for breadmaking that led him to open Acme Bakery in San Francisco in 1983. His crusty sourdoughs and pains au levain are much sought-after among Bay Area foodies. Sullivan says he took with him Waters’ belief in the value of creating strong bonds - with staff, suppliers andcustomers.

Waters herself says she places a premium on good relationships. “I always hire someone I like, or a friend. When you are working long hours, it’s not just professional skills that matter. You want to find the right chemistry and be able to inspire each other. That’s what makes good things happen in a restaurant.”

Thorensen opened her own restaurant eight years ago. A much-loved local haunt in Oakland’s Piedmont Avenue neighbourhood, Jojo is tiny and its open kitchen allows customers to observe first-hand the calm and methodical manner in which Thorensen and her team work. The French country-inspired menu might include flat-iron steak served with anchovy-mustard butter and frites, and an apple candied Meyer lemon tart.

Like the many others who have honed their craft as members of Chez Panisse’s kitchen brigade, Thorensen credits Waters with shaping much of her thinking about food and how to prepare it. Certainly most of the restaurants and food businesses founded by Waters’ protégés emulate her commitment to sourcing organic produce and sustainably raised meat and fish - espoused long before the practice became fashionable - her attention to detail and her collaborative approach to running a kitchen.

“Honouring the ingredient” is a key Waters mantra. “Everyone who passes through Chez Panisse learns that one important thing,” says Paul Bertolli who was head chef at Chez Panisse for 10 years, ran the highly regarded Bay Area restaurant Oliveto for 12 years and recently founded his own artisanal salami company. “The first thing I knew when I set up Fra’Mani was that I had to find a great supplier of pork,” he says. Bertolli scoured America’s Midwest to locate farmers who were breeding hogs in a natural way and were concernedabout quality. “That was totally inspired by my work at Chez Panisse,” he says.

Waters’ roots are in the San Francisco Bay Area so it is not surprising that many of her alumni have not strayed far - that, and the fact that it is known as a food-lovers’ destination. Christopher Lee, also a former Chez Panisse head chef, now runs Eccolo on Berkeley’s fashionable Fourth Street. With its retractable roof for al fresco eating and zinc bar, the vibe is casual smart and the menu focuses on the best of Italy’s regional cuisines - thick cut veal chop with marrow sauce and artichokes al cartoccio comes cooked over almond, oak and Manzanita woods for instance. Lee says he has sought to learn from the way Waters managed her kitchen. “The old style French kitchen could be a hard place where everyone was badly treated,” he says. “That’s changed a lot since Alice Waters. It’s hard work in her kitchen but it’s a gentler place. The relationships are collegiate rather than hierarchical.”

Charlie Hallowell was 21 when he started work at Chez Panisse, ordering pantry items and checking inventory. He now runs Pizzaiolo, a buzzy Italian restaurant in Oakland’s Temescal district with a loyal clientele and in the San Francisco Chronicle’s list of Top 100 Bay Area restaurants for the three years since it opened. A former hardware store, the restaurant has an appealing rough edge with exposed brick walls, scarred wood floors anda giant wood-fire which turns outdelicious thin-crust blistered pizzas, as well as regional specialities suchas pork shoulder braised in red wine with polenta.

Italian dishes and top quality ingredients are also on the menu at Michael Tusk’s restaurant, Quince, in San Francisco. Tusk, another Waters protégé, earned a Michelin star this year for his menu which features home-madepastas such as pumpkin lasagnette and pici with goose ragu. The elegant but unpretentious restaurant is housed in a former apothecary in Pacific Heights.

Zuni Café, opened in 1987, probably captures the pulse of San Francisco better than any. Politicians, artists, celebrities and families are drawn to the vibrant, brasserie-style corner spot to enjoy classics such as roast chicken and Caesar salad as well as dishes inspired by the cuisines of Provence, Tuscany and Catalonia. It is run by Judy Rodgers and Gilbert Pilgram, both Chez Panisse veterans.

Then there’s Foreign Cinema which couldn’t be more different than Chez Panisse where co-owner Gayle Pirie worked for four years, but the emphasis on local ingredients and meat from sustainable ranches is straight from her mentor’s bible. Movies are projected on to the back wall of the enormous terrace at this hip Mission District restaurant which Pirie runs with her partner John Clark.

These days Waters dedicates some of her time to the Chez Panisse Foundation, one of whose programmes, the Edible Schoolyard, teaches school-children to grow and cook their own food. She is also a prominent member of the Slow Food movement. While she clearly has a devoted following, she is not necessarily regarded as a crusader with disciples in tow.

“She is neither a preacher nor an evangelist - quite the contrary,” says Jonathan Waxman, who worked with Alice Waters and fellow chef Jean-Pierre Moullé at Chez Panisse in the restaurant’s heady early days in the 1970s and went on to introduce Californian cuisine to New York. “In this business there are a lot of egotistical people and, in that respect, Alice is a breath of fresh air.” The menu at Barbuto, Waxman’s Italian/Mediterranean restaurant in Manhattan’s meatpacking district, has been described as “aggressively seasonal”. Choices might include Eaton farm’s Berkshire pork chop with rocket and rhubarb chutney. With some partners, Waxman has recently opened a new restaurant, the West Country Grill in Sonoma, California.

Waters herself says she regards the network of Chez Panisse graduates who are carrying forth the spirit and philosophy of her restaurant as an extended family. “I am very proud of them. They have expanded so far beyond what I imagined,” she says.